The aesthetics of the Gothic
Füssli - The nightmare.
( 1781 )
This picture was painted in 1781 by Johann Henrich Füssli, a painter and writer. Since its exhibition at the Royal Academy in London in 1782, it became very famous.
We are going to present the different characters and try to understand the different interpretations of this painting:
Firtsly, we can see a woman lying, she's wearing a long white dress, her neck is bare and it shows the vulnerability of this character. Moreover, we don't know if she's sleeping or if she's dead because of her limp wrist and her head which is thrown back, there are no signs of life .
On the left, we can establish a link between the woman and the vials which are on a small table; they are empty and we can think that she has just drunk them.
Next, we can see a character sitting on the woman, it's an incubus ( a devil who is taking the body of the woman when she's sleeping, he's fed by her desire ). He seems angry, as if we had just suprised him in his action, he's looking at us as if we interrupted him, the spectator becomes actor of the scene.
The bottom of the painting is dark, the light is thrown onto the scene by the spectator as if a door had been opened on the scene, there is a communication between the scene and the spectator. We can see a mare which comes out from the darkness she's white and she's also a spectator of the scene, she stares at the woman. We can establish the connection with the name of the painting : The nightmare and the mare on the bottom (play on word), we can only see her head, and her body is in the dark.
I can appreciate this picture because of the innocence of the woman and the fact that we are actors of the scene but the incubus is very fightening when he's looking at us.